Poirot: How Does Your Garden Grow?

Ahh, springtime. When a young man’s fancy turns to thoughts of love, and other people’s fancies turn to thoughts of murder. At least, that’s how it is in this case.

We start off with a good closeup of the Soviet flag, flying over the Soviet embassy in London, presumably. A woman in a totally covetable gray coat strides purposefully inside and meets one of the officials, whose office is primarily decorated by a HUGE portrait of Stalin. She doesn’t get to admire the décor, because he comes downstairs to meet her in the hall, where they have an exchange in Russian that, unhelpfully, is not subtitled, so it’s anyone’s guess what they’re talking about. He sounds annoyed (though I’ll admit, Russian always sounds annoyed or angry to me), and she seems to be pleading. That’s all I’ve got. At the end, they exchange smiles, and she hands him an envelope. As he heads back to his office, he opens it and pulls out a ticket to the Chelsea Flower show that, for some reason, has WTF stamped across it in big, red letters. I know it didn’t meant the same thing back then as it does now, but I still laughed when I saw that.

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