Laura Linney starts off telling us all about how the deaths of so many men in the First World War left lots of women with nobody to marry (as one would imagine), and the author of the novel this is based on was one such woman. Write what you know.
As a man gallops a horse along a beach and through the countryside, a young woman in bright red sits on a train, smoking and writing in a journal. She hops off the train at a station and hauls ass to wherever she’s going, leaping onto a moving bus and everything. Meanwhile, the horseman dismounts (presumably at home) and Isobel Crawley calls ladies in to an interview. Red Dress finally arrives at the interview spot, and soon our unnamed horseman arrives as well. Isobel (that’s what I’m calling her until she gets a real name) ribs him for arriving just in time for the finish.
Red Dress (and I must ask—is a scarlet red dress really appropriate attire for a job interview? As a schoolteacher?) is in for her interview with a panel of mostly men, plus Isobel. One of them notes her empire experience—she taught in the Transvaal before going to London. Isobel informs her that this isn’t a fancy school, like they have in London, and Red Dress (oh, hell, her name’s Sarah Burton) counters that if one has high expectations, the girls will rise to meet them. Some will. Isobel’s not sure Sarah knows what she’s in for, in this far northern town, but Sarah zings them all by saying she does, actually, because she grew up nearby. Horseman doesn’t seen so keen on her, so now we know they’re totally going to hook up by the end of this. We’ve all seen this situation before. He’s totally the Mr. Darcy of this film.